America's favorite sweetheart, teen sensation Hilary Duff, takes center stage as Lizzie McGuire, who proves that, unlike clothes and style, fun and friends are never out of fashion. Lizzie's screwball exploits begin when her popularity soars over winning a fashion show audition and Gordo and Miranda become groupies instead of close friends. A hallway disaster and bargain shopping result in a "clothes" call. Then, imitation is not the sincerest form of flattery -- either when mentoring a new student on style or trying too hard to be just one of the guys! With great music from hot new bands and a flair for living and laughing, FASHIONABLY LIZZIE is the perfect fit.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
Toyotomi Hideyori's married granddaughter, Princess Sen, is targeted by someone. Hattori Hanzo, who receives the news, challenges the blocking of conspiracy to recover Senhime.
In 1933, a mischievous ten year old, Archie, is left in the care of his unattentive father, Charlie, a reluctant gangster indebted to mob boss Benny “The Bomb” Palladino.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo.
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
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