"A woman, a man, guests at an evening party. Settings, which are gradually abandoned; the remains of an event, gazes that have lost their object. In MIRROR light alone sets the hardened images into motion. It simultaneously connects and separates the people, lifts them up and away from the space that binds them. Like in the axis of a set of mirrors, a tear rolls through the middle of the image. It separates the image into two halves, at the same time connecting them into a single motif. MIRROR creates an atmospheric image of the 'in between', the nameless sphere between belonging and isolation. ‘The characters in a tragedy, the air they breathe, the settings, are sometimes more absorbing than the tragedy itself, as are the moments before and afterwards, when the plot is at a standstill and the dialogue is silenced.’ (Michelangelo Antonioni)"
Vampires and werewolves have waged a nocturnal war against each other for centuries. But all bets are off when a female vampire warrior named Selene, who's famous for her strength and werewolf-hunting prowess, becomes smitten with a peace-loving male werewolf, Michael, who wants to end the war.
Out-of-control, trash-talking buddy cops Marcus Burnett and Mike Lowrey of the Miami Narcotics Task Force reunite, and bullets fly, cars crash and laughs explode as they pursue a whacked-out drug lord from the streets of Miami to the barrios of Cuba.
"Secondhand Lions" follows the comedic adventures of an introverted boy left on the doorstep of a pair of reluctant, eccentric great-uncles, whose exotic remembrances stir the boy's spirit and re-ignite the men's lives.