Shot on video and film over seven years, American filmmaker Vivek Bald's absorbing examination of the Asian Underground movement in English rock in the 90s combines interview and performance footage of all the key players-Talvin Singh, Fun-Da-Mental, Cornershop, Joi, and Asian Dub Foundation. Nearly every musician interviewed talks about experiencing anti-Asian racism while growing up. Bald shows how defensive identification with England's black population led them to embrace reggae and hip-hop in addition to Indian sounds like Bollywood sound track music, bhangra, and Indian classical music. A passing moment of attention from the mainstream media and major record labels has embittered some of the performers but left others more focused and still hopeful.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
Art historians and critics talk with Philip Guston about his ideas and new work of the 1970's. Filmed during the making of "Philip Guston: A Life Lived.
A group of actors is shooting a film in Aguas Buenas, based on the legend of a magician. There, they become infected with the honesty syndrome, which unleashes a number of hidden secrets to come to light.
Toyotomi Hideyori's married granddaughter, Princess Sen, is targeted by someone. Hattori Hanzo, who receives the news, challenges the blocking of conspiracy to recover Senhime.
The story begins on New Year's Eve. The editor of the newspaper Orest Orlov offers the successful 35-year-old correspondent Ksenia to take a candid interview with the famous Canadian hockey player Denis Kravtsov.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
In 1933, a mischievous ten year old, Archie, is left in the care of his unattentive father, Charlie, a reluctant gangster indebted to mob boss Benny “The Bomb” Palladino.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
