Amsterdam-based photographer and video artist Fiona Tan (born 1966) has been a central figure on the contemporary art scene since the 1990s. In her video News from the Near Future (2003) a collage of historic film and audio material tells of man’s ambivalent relationship with water as a force of nature. Drawing on the archives of the Amsterdam Film Museum, Tan composed a narrative crescendo starting off with idyllic impressions of the watery world and building to increasingly menacing scenarios of an unleashed nature. Images of floods and churning seas, of wild winds and storms, parade before our eyes the destructive force of water. Tragedies at sea are reported in the style of old newsreels or radio shows, segueing into pictures of flooded cities that – as indicated in the work’s title – forebode future catastrophes. The cinematic repertoire of waves, tides and floods acts as an historical memory, presenting the sea as a metaphor for the flow of time.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
A 13 year old girl is raped and murdered in a small country town. Ten years later, the murderer is up for parole and the victim's father has vowed personal vengence if the killer is released.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women.
Viri is a trendy bar waitress, Lissa works in a supermarket and sings hip-hop, Valeria veterinary studies, Yvonne tries to find a place in the world of music and Lourdes does tattoos on the premises of his brother Pogo.
