Qabyo 2 is the quintessential example of the sequel being better than the original. Written and directed by, and starring, a legendary cast of multi-hyphenated Somali artists, this cult classic combined unconventional filmmaking techniques, kinetic editing and a fascinating interpretation of mise en scène that’s since become an easily digestible visual grammar for its intended audience. This bombastic socio-comic musical about diaspora and assimilation in America ushered in a new era of national cinema that followed the Somali cinematic tradition’s steadfast belief in the ‘by us, for us’ philosophy.
A satire about the dictatorship period in Brazil, in which communist militants try to steal the soccer World Cup Trophy from the players Pelé and Carlos Alberto Torres.
A group of actors is shooting a film in Aguas Buenas, based on the legend of a magician. There, they become infected with the honesty syndrome, which unleashes a number of hidden secrets to come to light.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
The story follows the two sisters Melissa and Emily, the former who accidentally killed her husband Alan and the latter who agrees to help her bury her husband in the desert.
