Tehzeeb (Hindi: तह्ज़ीब, Urdu: تہزیب, English: Etiquette) is a 2003 Indian Bollywood film directed by Khalid Mohammed. It premiered on 21 November 2003. The film stars Shabana Azmi, Urmila Matondkar, Diya Mirza, Arjun Rampal and Rishi Kapoor in a special appearance. Urmila and Shabana were praised for their roles.
Squadron Leader Veer Pratap Singh, a pilot in the Indian Air Force, rescues the stranded Zaara, a woman from Pakistan, following a bus accident, and their lives are forever bound.
Four friends from a sleepy little village in Punjab share a common dream: to go to England. Their problem is that they have neither the visa nor the ticket.
A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive.
Three womanisers find a baby left at their doorstep. Chaos ensues as they try to contact their former girlfriends to determine who is the father amongst them.
A man pursues a woman who is already engaged and eventually gets married to her. Differences between the two lead to a bitter separation that threatens to destroy their relationship forever.
At a preview theatre, a young filmmaker waits in the hope of getting his new sci-fi drama certified with ‘no cuts’ by the conservative men of the Indian Censor Board.
A young IPS officer’s new posting in rural India has him confronting caste disparities and uncomfortable truths in the face of a gruesome crime.
Alternative movies trailers for Tehzeeb
More movie trailers, teasers, and clips from Tehzeeb:
Tehzeeb - Trailer
Tehzeeb's fate is sealed through an arranged marriage at the request of her father. As she struggles to adjust to life in England the prospect of breaking free ...
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons.
Spike Lee's filmmaking career is examined in this partial making-of for the film 25th Hour (2002). Interviews with cast members from this film and his past successes give us an idea what kind of dedicated person he truly is.