A young woman moves to Tokyo. Her quest to find spiritual values hidden in the modern city leads her to take photographs and ends in a pilgrimage to a remote cemetery in the mountains. Shot amongst the neon lights and crowds of Tokyo and the ancient graves and forestry in the Buddhist monastery town of Koyasan, The Mountain of Signs is a film homage to the essay form of zuihitsu in traditional Japanese literature. Its nameless female protagonist illustrates her surroundings through a diaristic monologue that combines poetry and philosophy.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
Young, inexperienced heroes, the Roma girl Darja and the "white" boy Vítek, nicknamed Ken by his friends, fall in love at a drunken dance with the intensity of their first adolescent love, unaware of the world they live in and how a mere name or skin color can arouse hatred and a desire for revenge in others.
