After Bucharest, Belgrade is European city with the most stray dogs in Europe. This documentary shows the treatment of countless abandoned dogs in Serbia's capital.
"(On the Quest for) Beograd Underground" is an independent documentary film in the form of a sequence of interviews with alternative artists from Serbia who have dedicated their lives to the creation of one (sub)culture, very rich in its nuances, yet very precarious in its existence.
A portrait of a deserted fisherman's village in Northern Norway called Børfjord - a place with an incredible personality in the middle of a magnificent Arctic nature.
Mladen Maticevic is a 40 year old Serbian film director. In the summer of 2005, he decided to try and run the full marathon race on the next Belgrade Marathon, in the spring of 2006.
Shot over three years, Pariah Dog paints a kaleidoscopic picture of the city of Kolkata, seen through the prism of four outsiders and the dogs they love.
A family in rural area of West Java, Indonesia enjoys their time with 'Ngadu Bagong', a sundanese traditional game where dogs put to fight against a wild boar in a single event.
"Kao da je bilo nekad" is a documentary about band Ekatarina Velika (1981 - 1994). The band had a profound influence on the ex-Yugoslav scene of the 1980s and ended unusually tragic five members of the creative core of the band died between 1992 and 2002 from heroin abuse.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.