This documentary explores the events surrounding the greatest maritime tragedy in the history of the Pacific coast, the sinking of the Princess Sophia. The Canadian Pacific steamer had left Skagway, Alaska, on October 23, 1918, on its way to Vancouver, when a fierce blizzard hit. The ship veered off course and ran aground on a reef. Despite the proximity of several other ships, the harsh weather prevented any evacuation attempt. Almost 48 hours later, the Sophia slipped off the reef and sank. The following morning, rescue ships faced the terrible evidence: only the tip of its mast was visible. None of the 353 passengers and crewmembers survived. Archival photos, 3D animation, exclusive interviews and underwater photography relate an important chapter of maritime history, while vividly portraying a place and time.
Working from the text of James Baldwin’s unfinished final novel, director Raoul Peck creates a meditation on what it means to be Black in the United States.
At the end of WWI, the treaty of Versailles established the conditions for peace in Europe. The aim for the victorious powers was to make Germany pay reparations, and to guarantee a future without war.
The story of the documentary The Sorrow and the Pity (1971), directed by Marcel Ophüls, which caused a scandal in a France still traumatized by the German occupation during World War II, because it shattered the myth, cultivated by the followers of President Charles de Gaulle (1890-1970), of a united France that had supposedly stood firm in the face of the ruthless invaders.
Using archival footage, cabinet conversation recordings, and an interview of the 85-year-old Robert McNamara, The Fog of War depicts his life, from working as a WWII whiz-kid military officer, to being the Ford Motor Company's president, to managing the Vietnam War as defense secretary for presidents Kennedy and Johnson.
In the 17th century, the Netherlands experienced an unprecedented artistic explosion: painters such as Rembrandt, Vermeer and Hals were so prolific that they were able to make a living from their talent alone; so much so that, within a prosperous society, thanks to wealth from overseas colonies and financial speculation, collecting works of art became a status symbol.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
In Santiago, Chile, the schoolteacher Luisa proposes a debate about sex with the parents of her students with the intention of giving classes about sex education to the youngsters.
A small town is overrun by ankle-biting-blood-sucking DWARF Vampires. Things get complicated when the vertically-challenged coffin-creepers get their itty-bitty hands on a sword with the blood of the last slain Tall Vampire.
200 km follows the marches carried out by Sintel workers to reach Madrid on May 1, 2002. Sintel was a subsidiary of Telefónica that, when it was privatized, was closed, leaving its 1,800 workers on the streets.
Fumiya, a beautiful boy with no fixed address, sells his body to random men in the park. One day, he is in trouble but is saved by a middle-aged university professor, who sets him on a new life.
In 1933, a mischievous ten year old, Archie, is left in the care of his unattentive father, Charlie, a reluctant gangster indebted to mob boss Benny “The Bomb” Palladino.
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