Few years ago (1987 - 88), I've been "victim" of chronic hallucinations. In front of the mirror, I was able to see my face distorting itself and transforming in strange creatures which, however, looks like it. Variations Colorées / Spectres (Work in progress) is one more step in my cinematographic works set about the theme of self-portrait. This one, becomes pretext to formal experimentations evolving to abstraction.
When an impulsive boy named Kenai is magically transformed into a bear, he must literally walk in another's footsteps until he learns some valuable life lessons.
Om lives in Bombay, India, in a small apartment with mother and sister. Om and his mother are of very conservative taste, when it comes to wearing clothes, however, the sister is not.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
The film is based on Gennady Shpalikov’s most intimate story, “The Wharf”. Young Katya, who lives in a small provincial town, is dreaming of a prince charming.
Robert McChesney lays the blame for the US's current state of affairs squarely at the doors of the corporate boardrooms of big media, which far from delivering on their promises of more choice and more diversity, have organized a system characterized by a lack of competition, homogenization of opinion and formulaic programming.
Comments
Have you watched Variations colorées / Spectres yet? What did you think about it?