Devour is a dual-channel version of the artist's multi-channel video projection installation of the same name. Schneemann notes that this work brings together "a range of images which contrast evanescent, fragile elements with violent, concussive, speeding fragments... political disasters, domestic intimacy, and ambiguous menace." In this dense montage, the title stands for the voraciously synthetic, head-on rush of contemporary media, and the corresponding, near-addictive impulse of its consumers.
With the intention to break free from the strict familial restrictions, a suicidal young woman sets up a marriage of convenience with a forty-year-old addict, an act that will lead to an outburst of envious love.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw.
Two girls are driving to Daytona when their car breaks down. Rather than sit in an old broken down truck in the middle of nowhere while they wait for their friends to come pick them up, they decide to go with J (Violent J), a clown, who invites them to his bed and breakfast.
Cady Heron is a hit with The Plastics, the A-list girl clique at her new school, until she makes the mistake of falling for Aaron Samuels, the ex-boyfriend of alpha Plastic Regina George.
Based on one of the most famous mysterious disappearances in the world, Richard John Bingham, the Seventh Earl of Lucan, was accused of the murder of 29-year-old nanny Sandra Rivett on 7 November 1974, at his family home at 46 Lower Belgrave Street, in London.
An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord – a sharp old woman.
