Daniel Anker’s 90-minute documentary takes on over 60 years of a very complex subject: Hollywood’s complicated, often contradictory relationship with Nazi Germany and the Holocaust. The questions it raises go right the very nature of how film functions in our culture, and while hardly exhaustive, Anker’s film makes for a good, thought provoking starting point.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history.
Jonathan Ross delves into the world of James Bond and meets with new and former cast members who reveal humorous stories and anecdotes in a series of interviews.
An examination of why the James Bond films have proved so popular including a discussion between the four actors who have played Bond, an interview with Cubby Broccoli and contributions from the directors, production designers, special effects and stuntmen.
This documentary captures the sounds and images of a nearly forgotten era in film history when African American filmmakers and studios created “race movies” exclusively for black audiences.
The story of Auschwitz's twelfth Sonderkommando — one of the thirteen consecutive "Special Squads" of Jewish prisoners placed by the Nazis in the excruciating moral dilemma of assisting in the extermination of fellow Jews in exchange for a few more months of life.
Released two years after James Dean's death, this documentary chronicles his short life and career via black-and-white still photographs, interviews with the aunt and uncle who raised him, his paternal grandparents, a New York City cabdriver friend, the owner of his favorite Los Angeles restaurant, outtakes from East of Eden, footage of the opening night of Giant, and Dean's ironic PSA for safe driving.
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983.
Kurt Gerstein—a member of the Institute for Hygiene of the Waffen-SS—is appalled to discover that a poison gas he helped discover is being used to kill Jews.
An insider's account of Jack Warner, a founding father of the American film industry. This feature length documentary provides the rags to riches story of the man whose studio - Warner Bros - created many of Hollywood's most classic films.
When Francois Truffaut approached Alfred Hitchcock in 1962 with the idea of having a long conversation with him about his work and publishing this in book form, he didn't imagine that more than four years would pass before Le Cinéma selon Hitchcock finally appeared in 1966.
Alternative movies trailers for Imaginary Witness: Hollywood and the Holocaust
More movie trailers, teasers, and clips from Imaginary Witness: Hollywood and the Holocaust:
Imaginary Witness: Hollywood and the Holocaust (2004) Trailer
Daniel Anker's 90-minute documentary takes on over 60 years of a very complex subject: Hollywood's complicated often contradictory relationship with Nazi ...
Imaginary Witness: Hollywood and the Holocaust - Intro
Narrated by Gene Hackman plus interviews with Steven Spielberg Sidney Lumet and other prominent filmmakers Imaginary Witness explores how filmmakers ...
Popular movie trailers from 2004
These some of the most viewed trailers for movies released in 2004:
Portrait of troubled middle-class young men living in Rio de Janeiro. With no attention from their parents, they turn to urban violence, as a compensation.
The Dinosaur Chronicles combines two mini-tales about giant reptiles -- "The Prehistoric Island" and "Dawn of the Dinosaur" -- resulting in one supersized movie.
Two FBI agent brothers, Marcus and Kevin Copeland, accidentally foil a drug bust. To avoid being fired they accept a mission escorting a pair of socialites to the Hamptons--but when the girls are disfigured in a car accident, they refuse to go.
The year is 1968. To a small town in the south of Israel, mostly inhabited by Moroccan immigrants, a few families from India arrive, searching for a better life in the west.
Two girls are driving to Daytona when their car breaks down. Rather than sit in an old broken down truck in the middle of nowhere while they wait for their friends to come pick them up, they decide to go with J (Violent J), a clown, who invites them to his bed and breakfast.
Producer Allison Tripp wakes up dazed and confused in an LAPD safe house. When Detective Mark Janus asks her about the dead bodies found in a Los Angeles warehouse she begins to remember.
Two young film authors, Angelo and Lillo, the former a screenwriter, the latter a director, try in every way to present their works to Mr Piras, a successful producer now converted to television production.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living.
