Filmmaker Nina Davenport is working in California the day the World Trade Center is destroyed. Trying to understand that she won't be able to see the familiar building from her apartment in New York anymore and afraid of getting on a plane, she sets off for a road trip that is therapy and art performance in one. She has six weeks to get back to New York, and she spends them driving through a country in shock and talking to people she meets along the way. All of them share a strange sadness - not only about the attacks - and a surprising willingness to open their hearts and lives to this young woman with a camera. And by taking us on a trip through her country, she ends up leading us into the very soul of it.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
This documentary tells two stories simultaneously: it's a profile of Bernard Tapie, a wealthy man who rises and falls spectacularly in French society and may be on the rise again; and, it's a look at Marina Zenovich's fascination with Tapie, behaving oddly in spite of her awareness that she's being irrational.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.
Short film against the oppression of women. At first, differences in education are presented and then how the relationship between women and men looks like in the professional world.
Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production.
Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state.
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