The optical printer is used to manipulate archival imagery from the colonial era, forming a layered tapestry with contemporary images of landscapes, architecture and phenomena. By means of montage and optical recombination the film takes these historical fragments and builds them up to a frantic pitch. The film seeks to depict the frenetic digital information age but entirely through traditional photomechanical methods, a reversal of the norm. The sound design enhances the film's transformations, and provides a sensitive counterpoint to the "colonial eye." The role of the colonist as exploiter of natural and human resources is evident, the filmic mediation brings these images into a contemporary context.
Two men wake up to find themselves shackled in a grimy, abandoned bathroom. As they struggle to comprehend their predicament, they discover a disturbing tape left behind by the sadistic mastermind known as Jigsaw.
A Zero Hour special, dramatically recounting the final sixty minutes of American Airlines Flight 11 - an hour, and a flight, that changes the world forever.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy.
In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria.
