The optical printer is used to manipulate archival imagery from the colonial era, forming a layered tapestry with contemporary images of landscapes, architecture and phenomena. By means of montage and optical recombination the film takes these historical fragments and builds them up to a frantic pitch. The film seeks to depict the frenetic digital information age but entirely through traditional photomechanical methods, a reversal of the norm. The sound design enhances the film's transformations, and provides a sensitive counterpoint to the "colonial eye." The role of the colonist as exploiter of natural and human resources is evident, the filmic mediation brings these images into a contemporary context.
Prior to boarding the Duck Boats for the historic Rolling Rally, NESN produced this live 30 minute celebration for the Fenway fans, hosted by Don Orsillo and Jerry Remy and featuring interviews with team ownership, management and players.
Robert (25) runs a very successful illegal business, the buying and selling of drugs. In the height of success he learns that his sister Janice (16) becomes hooked on Heroin.
The year is 1968. To a small town in the south of Israel, mostly inhabited by Moroccan immigrants, a few families from India arrive, searching for a better life in the west.
A Zero Hour special, dramatically recounting the final sixty minutes of American Airlines Flight 11 - an hour, and a flight, that changes the world forever.
Two girls are driving to Daytona when their car breaks down. Rather than sit in an old broken down truck in the middle of nowhere while they wait for their friends to come pick them up, they decide to go with J (Violent J), a clown, who invites them to his bed and breakfast.
