For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.
On April 8th 1994, Kurt Cobain - the lead singer of post-punk band Nirvana - was found dead in his Seattle home of an apparent shotgun wound to the head and three times the lethal dose of heroin in his system.
A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986.
Popular movie trailers from 2004
These some of the most viewed trailers for movies released in 2004:
This ultra-sexy spoof of the hit TV show "American Idol" finds a small town putting on a splashy talent competition that features an endless parade of inept performers, bizarre personalities, talentless hacks and a quartet of eccentric judges.
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy.
The Dinosaur Chronicles combines two mini-tales about giant reptiles -- "The Prehistoric Island" and "Dawn of the Dinosaur" -- resulting in one supersized movie.
Two girls are driving to Daytona when their car breaks down. Rather than sit in an old broken down truck in the middle of nowhere while they wait for their friends to come pick them up, they decide to go with J (Violent J), a clown, who invites them to his bed and breakfast.
Bob Parr has given up his superhero days to log in time as an insurance adjuster and raise his three children with his formerly heroic wife in suburbia.
Portrait of troubled middle-class young men living in Rio de Janeiro. With no attention from their parents, they turn to urban violence, as a compensation.