The Matches, a punk rock band hailing from Oakland, Calif., deliver a scorching set at the famed House of Blues. Known for their exuberant style that melds a little bit of pop into their fresh, brash sound, The Matches work the crowd into a feeding frenzy with such tunes as "Superman" (an underground hit first released by an indie label), "Destination: Nowhere Near" (an ode to their hometown) and "Borderline Creep."
Two young film authors, Angelo and Lillo, the former a screenwriter, the latter a director, try in every way to present their works to Mr Piras, a successful producer now converted to television production.
On a wintery January afternoon, a girl walks in a park by herself. As groups of boys play football, she strolls about, observing the activities of her fellow park-goers.
In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria.
As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies.
Two girls are driving to Daytona when their car breaks down. Rather than sit in an old broken down truck in the middle of nowhere while they wait for their friends to come pick them up, they decide to go with J (Violent J), a clown, who invites them to his bed and breakfast.
Comments
Have you watched The Matches: Live at the House of Blues yet? What did you think about it?
