"view from a floating raft" composes the image with horizontal stripes (a skyline) which at first form a horizon in the lower portion of the picture. Then, in rapid and irregular alternations, constant vibrations, they fill the entire field. This time the lines tend to move rather than the colors. The rhythms of night and day alternate in the space outside the picture, at the same time enabling it to take on a structure. The broken, torn-up melody drives the visual aspect, the contrast provokes a nearly cheerful sight. The space occupied by the images is an open one. (Marc Ries)
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Told through documentary, drama and first-hand accounts, this revealing film is a unique account of the most ruthless IRA bombing campaign ever to hit mainland Britain.
In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy.
The movie covers the careers of five up-and-coming horror-movie loving directors – Mark Borchardt ('Coven'), Ron Atkins ('Necromaniac'), Dave Stagnari ('Catharsis'), John Gora ('Chirpy'), and Brian Singleton.
