An amused and impertinent chronicle that shares with us a few months of the life of independent art house cinemas with demanding programming. The film talks about freedom, independence, possible alternatives to multiplexes and programmed normalization, the role of the spectators in a process of resistance that is growing and takes us far beyond the cinema.
A baby is supposed to crown the dreamlike marriage of the divorce attorneys Pia and Uli, but the success of all their efforts – ranging from “sex on a schedule” to artificial insemination – fails to materialize.
Emma (Damasus-Aboderin), Candace (Genevieve Nnaji) and Yvonne (Jalade-Ekeinde) have been friends since High School and have since settled into their respective lifestyles.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis.
Who says being an undead creature of the night is easy? With that in mind, three ancient friends—centuries-old vampires Vulvus, the romantic and temperamental Lord Byron wannabe; Viago, the flamboyant 19th-century dandy; and Deacon, the rebellious 107-year-old youngster—invite a documentary crew to shed light on a vampire’s daily life.
Lisa is a middle-class white woman from Toronto, Canada. She's also addicted to crack cocaine. To maintain her habit, she works as a prostitute while living in a hotel room.
With detailed assistance from a self-help book -- written by a self-described love guru (Jolina Magdangal) -- Denise (Jennylyn Mercado), a hopeless romantic, finally manages to catch the attention of the man she's had her eye on forever (Mike Tan).
Insurance investigator Abraham Holt travels to a tiny town in rural Minnesota to look into a particularly unusual insurance claim stemming from a horrific car accident.
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Have you watched J'aime la vie, je fais du vélo, je vais au cinéma yet? What did you think about it?