Joel Shapiro, the eminent sculptor, was invited by the Musée d'Orsay in Paris to participate in their project series titled Correspondences, the aim of which was to achieve new insights into the complexity of art through confronting some of the museum's masterpieces with ambitious contemporary works. Shapiro chose to juxtapose Jean Baptiste Carpeaux's La Danse, a large-scale manifestation of human sensuality which once adorned the exterior of the Paris Opera. The camera follows the assembly of 20 boldly colored wooden elements, a shining example of Shapiro's brilliant use of joinery, as the artist and two assistants work on putting the sculpture together and placing it in just the right spot in relation to La Danse. The film represents a unique opportunity to meet the artist and experience a rare art historical event as historians and curators question him on the issues of this daring engagement with Carpeaux.
Siblings Lucy, Edmund, Susan and Peter step through a magical wardrobe and find the land of Narnia. There, they discover a charming, once peaceful kingdom that has been plunged into eternal winter by the evil White Witch, Jadis.
Lisa is a middle-class white woman from Toronto, Canada. She's also addicted to crack cocaine. To maintain her habit, she works as a prostitute while living in a hotel room.
The Art of Henry Moore aims to rediscover the artist by returning to the works themselves – his sculptures, drawings and graphics – and to Moore’s own thoughts about them.
Emma (Damasus-Aboderin), Candace (Genevieve Nnaji) and Yvonne (Jalade-Ekeinde) have been friends since High School and have since settled into their respective lifestyles.
In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy.
