A.D. 2015: A virus has been spreading in many cities worldwide. It is a suicidal disease and the virus is infected by pictures. People, once infected, come down with the disease, which leads to death. They have no way of fighting against this infection filled with fear and despair. The media calls the disease the "Lemming Syndrome".
In the nineteenth century, a French adventurer sets off to establish a kingdom in the inhospitable South of Chile, uniting the feared Mapuche under him.
This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot.
On stormy night in an ugly urban landscape, Ciro Norte, a scientist with wild hair and thick glasses, straps himself to a chair he's has fashioned with wires: lightening strikes, convulsing him.
A bereaved epileptic ditches her pills and follows a mysterious woman to the outskirts of her town, where she slips back into the fearsome yet ecstatic throes of the seizure.
A hybrid artistic bet and therefore binding in which the architectural space ceases to be a scene of contemplation and awakens enhanced by the flow of dance whose impulse in a swing between the volumetry of the space and the sensitive gaze of the camera.
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