A Letter from Hiroshima explores themes of apology and remembrance. Suwa sends a letter to a Korean actress (Kim Ho-jung) he has worked with in the past requesting her assistance to write and direct a film about Hiroshima. Ho-jung arrives at her hotel and is told to explore the city and wait for Suwa. Initially confused, Ho-Jung soon finds the city mesmerizing and spends days learning about the tragic bombing and the effects that are still felt in the city today. With sparse dialogue and just a handful of characters, Suwa uses black and white images of Hiroshima to convey the scope of the tragedy. In one particularly poignant moment, the voice of a mother is heard lamenting the fact that she had scolded her daughter the day of the bombing. We next see Ho-jung crying in her hotel room, ignoring the ringing phone.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny.
London high-society mouse, Roddy is flushed down the toilet by Sid, a common sewer rat. Hang on for a madcap adventure deep in the sewer bowels of Ratropolis, where Roddy meets the resourceful Rita, the rodent-hating Toad and his faithful thugs, Spike and Whitey.
Picking up shortly after the original movie's end, Bambi follows his father, the Great Prince, into the forest after his mother's death and the Great Prince must teach the young fawn, and his friends Thumper, Flower and Owl, how a deer survives in the forest.