As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).
When the curator of the Louvre is found murdered in the famed museum's hallowed halls, Harvard professor, Robert Langdon and cryptographer, Sophie Neve must untangle a deadly web of deceit involving the works of Leonardo da Vinci.
Monsters under the bed are scary enough, but what happens when an entire house is out to get you? Three teens aim to find out when they go up against a decrepit neighboring home and unlock its frightening secrets.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny.
Picking up shortly after the original movie's end, Bambi follows his father, the Great Prince, into the forest after his mother's death and the Great Prince must teach the young fawn, and his friends Thumper, Flower and Owl, how a deer survives in the forest.
Raimunda (Penélope Cruz) works and lives Madrid with her husband Paco and daughter Paula. Her sister Sole (Lola Dueñas) lives nearby and they both miss their mother Irene (Carmen Maura), who died several years ago in a house fire along with their father.