Film artist Jennifer Reeves and musician Anthony Burr collaborated to make this live film and music performance, which mixes and subverts symbols of science, industry, medicine and madness. Up to 4 screens and 4 channels of multi-layered music immerse the audience in colorful rhythmic molecular forms, morphing frequencies and visual textures, which are broken down to the particle. Found images from the 20th century educational films are sewn together with melted down pharmaceuticals affixed directly to the film, and form a concentrated fusion with pulsating electronic sounds and an acoustic multi-tonal bass clarinet. Illustrations of brain dendrites, synapses, waveforms and assembly lines personify the movement of frequencies and light as they envelop the audience. As the performance ensues, the intensity builds to a point of irresistible danger and rupture.
Shots of Turin, deserted because of the pandemic, interweave with images of the movies that have been shot in the city ever since the dawn of cinematography.
The cycling season is nearing its grand finale. During the final race, the two men in the lead are competing for more than the Grand Trophy; they are fighting for the affection of a lady and fulfilment of their erotic fantasies.
The black forest in the 19th century. A magic place with ghosts, good and bad, living in it. Peter Munk is a poor but goodhearted young man, desperately wishing to be rich.
By land, by air, and by sea, viewers can now experience the struggle that millions of creatures endure in the name of migration as wildlife photographers show just how deeply survival instincts have become ingrained into to the animals of planet Earth.
The story begins with a parody of a familiar folklore about a rabbit and an earthworm chasing after each other, but the warm atmosphere changes completely to a succession of surreal images, and the story dismantles.
A flash of light splits the darkness, revealing a mysterious image. The images are rapidly replaced with sharp noise that combines wave-like repetitiveness and explosiveness, and the flicker effect that it brings makes the viewer away from reality.
Superman returns to discover his 5-year absence has allowed Lex Luthor to walk free, and that those he was closest to felt abandoned and have moved on.
Juca, a black kid, sees his friends and his mother being hit by his stepfather, without being able to do anything against it, but when he knows that he is the great-grandson of João Cândido, the leader of the sailors rebellion against the chibata hits adopted by Brazilian Navy till 1910, he takes an extreme attitude towards changing the course of his life.
Polly and her classmates hits the world's most fabulicious amusement park and compete in a charity version of their favorite mega-reality show, "Roll Like That!" The only thing holding them back from winning the fab first prize is Polly's scheming future stepmom and her jealous classmate, Beth.
Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes.
A young man finds himself torn between his current girlfriend and an old flame at a friend's funeral, where lifestyles and attitudes clash over a long weekend.
Florian, Matthias and Enrique drive to school full of anticipation: the exchange students are coming today! A bus full of attractive French girls! That means three weeks of partying, fun and coitus! Unfortunately, their rival Henk crosses their path and runs Florian's VW bus off the road with his jeep.
Zombie Prom is a 1950s horror comic book brought to life as a musical comedy film. It is a campy, rollicking, romp through America's "Atomic Age" and the "Golden Age" of horror comic books.
