In More British Sounds images from The British Are Coming (1986) collide with dialogue from See You at Mao (1969) also known as British Sounds, produced by the Dziga Vertov Group under the direction of Jean-Luc Godard. “Workers have come to expect too much,” a narrator intones, as an English lad in a state of undress polishes the boots of a royal guard in full uniform. The soundtrack consists of a speech from British Sounds layered four times in the structure of a round. Gaps in the dialogue—filled by Godard’s heavy breathing in the original—allow certain key phrases to be heard in the chaos. The super-reactionary spouting venom must have seemed horrendous and absurd in the late 1960s, but his line was practically adopted as policy in early 21st Century America. The fetishistic sports underwear, skinhead tattoos, and bad boy snarls have been widely adopted as well.
A young man finds himself torn between his current girlfriend and an old flame at a friend's funeral, where lifestyles and attitudes clash over a long weekend.
Shot during a three year period, this true story views the separation process of the pop music group OV7 (previously Onda Vaselina), whose seven members worked and shared each other's lives for 15 years, from the age of nine until they turned 24.
Juca, a black kid, sees his friends and his mother being hit by his stepfather, without being able to do anything against it, but when he knows that he is the great-grandson of João Cândido, the leader of the sailors rebellion against the chibata hits adopted by Brazilian Navy till 1910, he takes an extreme attitude towards changing the course of his life.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him.
Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes.
