We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.
A genetic engineering experiment gone horribly awry turns a large flock of docile sheep into unrelenting killing machines in this rural horror comedy directed by Jonathan King and featuring special effects designed by Weta Workshop.
When he loses a highly publicized virtual boxing match to ex-champ Rocky Balboa, reigning heavyweight titleholder, Mason Dixon retaliates by challenging Rocky to a nationally televised, 10-round exhibition bout.
Living with her tyrannical stepfather in a new home with her pregnant mother, 10-year-old Ofelia feels alone until she explores a decaying labyrinth guarded by a mysterious faun who claims to know her destiny.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating – and learns a lesson about family himself.
Have you watched Pasolini prossimo nostro yet? What did you think about it?