In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.
Michael Cockerell tells the story of how prime ministers have coped with life after Number Ten, after Tony Blair became the youngest member of the ex-PMs' club for a hundred years.
Very loosely based on Nabokov’s ‘Lolita’, this is the story of a writer renting a room at a single mother’s house that starts an affair with the daughter of her.
After constant arguments with his parents and after being left by the girl who dumped him for an engineer, Mike leaves university and starts managing a laundry hoping to find himself and escape from his life.
Kristina, a beautiful young lady who sells fresh fruits at her province, only wants a simple life. And her father, Ronaldo, manages a large hectre of Mango farm.
Pam meets Rico an Ivatan, and decides to leave her stressful life in the city to follow him to Batanes to meet his parents Boy and Lydia and marry him.
Three characters from various regions in the Middle East seek to find peace of mind by challenging their contrasting political and personal identities before an act of senseless violence brings them together.
The first part filmed in 1999, completed in 2000, up until the liberation of the South of Lebanon in May 2000, it was impossible to go to Khiam detention camp, located in an area under israeli occupation and its proxy militia, the South Lebanon Army.
By uncovering a world thought only to exist in his imagination, Ethan brings the love of his life back from the dead in order to clear her name and expose the truth behind her apparent suicide.
