When Thax was fourteen, a mystical vision told him that he would become a famous poet. By the time his beard went gray, he had performed thousands of times. Right before the band comes on, he recites a spontaneous poetry portrait to bless the stage. His paternal white beard, round belly, and thick glasses make him appear, perhaps, as a rock&roll holy man; a shaman from the pre-MTV era, when the cause of independent music seemed to reach beyond the individual. Thax is growing tired of this image. The truth is nobody knows him. Like a baseball mascot removing his head to yell at the crowd, Thax tells us the real story, whether or not we want to hear it. The result is stranger than fact. This film examines the mysterious line that separates the underground from the mainstream, poetry from advertising, fantasy from prophecy, and success from celebrity. Like CRUMB, AMERICAN MOVIE, BURDEN OF DREAMS, and GREY GARDENS before it, THAX is a film about the true cost of individuality.
Ash and friends (this time accompanied by newcomer Dawn) arrive at an idyllic village on their way to their next Pokemon contest, where chaos will soon erupt with the prophecy of two Pokemon Gods (Dialga and Palkia) and the arrival of a mysterious, seemingly deadly Pokemon named Darkrai, which has the power to distort space and time.
Eight years have passed since Sara Wolfe and Eddie Baker escaped the House on Haunted Hill. Now the kidnapped Ariel, Sara's sister, goes inside the house with a group of treasure hunters to find the statue of Baphomet, worth millions and believed to be the cause of the House's evil.