“I made The After Life using images out of a tiny mini-camcorder called a Flip that I bought on amazon.com for $98.00. All I did with the material was work with arrangements of frames along a timeline to setup what Eisenstein called “collisions” (for him a colliding of shots, for me, a colliding of frames). On rare occasions, Eisenstein substituted the word “copulation” for the word “collision” in describing the dynamics of his montage theory. In The After Life, it’s all copulation all the time. Bodies attract, bodies intersect and new creatures stream forth. In The After Life uninhibited promiscuity is what makes the world go round. It can’t be all bad.” (FW)
Police conduct a manhunt for the Zodiac Killer, a serial killer who terrorized the San Francisco Bay Area during the late 1960s and early 1970s, taunting police with letters, bloodstained clothing, and ciphers mailed to newspapers.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance.
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After losing Captain Jack Sparrow to the locker of Davy Jones, Will Turner, Elizabeth Swann, and Captain Barbossa journey to the ends of the earth to rescue him.
Michael Cockerell tells the story of how prime ministers have coped with life after Number Ten, after Tony Blair became the youngest member of the ex-PMs' club for a hundred years.
A troubled young black teenager Maxine rescues an eccentric old lady Eve from an unhappy slap by a mixed-race gang of teens and is rewarded for her act of kindness with the gift of a terrible secret: how to make and operate a WISHBABY.
Comments
Have you watched The After Life yet? What did you think about it?