The Threshold Houseboys Choir was a project by Peter "Sleazy" Christopherson. Operating out of Bangkok, Thailand, the Throbbing Gristle and Psychic TV founding member started this audio and visual endeavour after Coil's conclusion. Despite the name, it was a solo project relying heavily on computer generated vocals. The name was derived from a play on words, combining the terms houseboy, house of boys, boys' choir, and Threshold House, which was Coil's own label. "Form Grows Rampant" is the soundtrack of a film shot by Christopherson (a video capture at the GinJae Vegetarian Festival in the south of Thailand) and his first major musical project since the tragic death of John Balance and Coil's subsequent demise.
Shadows of Light combines the loud and soft tones of life. The centerpiece is an Austrian mountain pasture where the summer solstice is celebrated with international artists and where tradition and zeitgeist are not contradictory.
Mondo-style shockumentary about various aspects of the occult and paranormal. An investigation into the fringes of psychic spirituality with so-called experts, it includes demonic possession, exorcism, seances, Voodoo ceremonies, hypnotism, ESP, psychic surgery, and more.
"Mammy Water" is mother sea, source of food. Jean Rouch filmed this short documentary in the Gulf of Guinea, in Ghana, where is held a colorful festival, the Chama, in which the participants offer cassava, gin and tobacco to the spirits of water and sacrifice a white ox to thank them and express their gratitude and respect.
Armin Only is a Dutch all-night dance event featuring solo performance by Armin van Buuren. The event consists of various genres of electronic dance music (but most predominantly Trance Music), light, laser and firework shows and supporting acts of singers/vocalists like Racoon (2005 edition), Ilse de Lange (2006 edition) and Audrey Gallagher performing 'Big Sky' by John O'Callaghan.
Popular movie trailers from 2007
These some of the most viewed trailers for movies released in 2007:
The relationship between beautiful Emilia (Elizabeth Cervantes) and her imaginative young daughter, Alicia, is tested in this understated Mexican drama.
Pam meets Rico an Ivatan, and decides to leave her stressful life in the city to follow him to Batanes to meet his parents Boy and Lydia and marry him.
Three characters from various regions in the Middle East seek to find peace of mind by challenging their contrasting political and personal identities before an act of senseless violence brings them together.
Very loosely based on Nabokov’s ‘Lolita’, this is the story of a writer renting a room at a single mother’s house that starts an affair with the daughter of her.
