Single-channel excerpt from installation series. "An exchange between [the filmmaker's] mother and him in a series of banal, intimate actions: He is attempting to fit her prosthetic breast onto his chest. It doesn’t fit very well, so they try another one. She takes out a bathroom scale and tries to weigh them. “It’s less than a pound, so it doesn’t show,” she said flatly. After wiggling one into a silk bra, she goes to the sink and takes a pill. The film is shot mostly from her point of view at his chest, and we only see her face for barely a second at the very end. We see the back of her head the rest of the time, as she is crouching down in her nightgown weighing the gelatin inserts." — Tiffany Sia
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance.
Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank, and a bitter old recluse receives an uninvited guest.
Pam meets Rico an Ivatan, and decides to leave her stressful life in the city to follow him to Batanes to meet his parents Boy and Lydia and marry him.
Police conduct a manhunt for the Zodiac Killer, a serial killer who terrorized the San Francisco Bay Area during the late 1960s and early 1970s, taunting police with letters, bloodstained clothing, and ciphers mailed to newspapers.
Three characters from various regions in the Middle East seek to find peace of mind by challenging their contrasting political and personal identities before an act of senseless violence brings them together.
Twenty-eight weeks after the spread of a deadly rage virus, the inhabitants of the British Isles have lost their battle against the onslaught, as the virus has killed everyone there.
