"An exciting experiment in the tradition of Oskar Fischinger (Komposition in Blau, 1935), Dwinell Grant (Composition No. 1, 1940) and Slavko Vorkapich (Abstract Experiment in Kodachrome, 1950s). Max Hattler presents a well-done interaction between music and moving images. Space is turned upside down and the animated objects become faceless dancers in a constructivist ballet." Vienna Independent Shorts 2010, jury statement by Anton Fuxjäger
When Nicolas and his family move from the city to a new house next to a forest, his perception of his new environment starts to change thanks to mysterious encounters with native animals.
The movie takes place between Seasons 1 and 2. The Green Forest Village hosts a festival in celebration of the 1000th anniversary of the large tree growing in the middle of the village.
A stranger enters a town that has been evacuated because of an unexploded bomb. Meanwhile the inhabitants are watching through telescopes and are getting restless at the stranger’s antics.
On their way home by bike through a deserted industrial area, a mother and her son starts to talk about what happened when our dream of eternal economic growth collided with the peak, and following decline in global oil production.
Unique; one of the only Japanese cartoons that fully employs the physics of US animation (squash & stretch, follow-thru, weight variation, distortion).
Kadhalil Vizhunthen is a movie starring Nakul and Sunaina. The movie's music was composed by Vijay Antony, cinematography by S D Vijay Milton and editing by V.
A woman takes a man she just met at a nightclub to a hotel, so they can have a one-night stand, but things start to get complicated when he asks her to spend the night with him so they can have a chance to know about each other between the sheets.
Don Muthu Swami is one of Bombay's most fearsome gangsters. On his deathbed, his father forces him to make a promise: that from now on he will lead a decent life.
This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper.
Chris Jackson is a taxi driver with a childhood trauma. The trauma has made him a portal for obsessions to pass from the mind to the physical world and hence disrupt the world's multiple planes of reality.
