Asep, Hilman, and Didi are village boys who go to Jakarta to study at the university. Their departure is blessed by the whole village who puts a lot of hope on them to one day improve the welfare of the village. In Jakarta, they live in a big house belonging to Didi’s uncle, that is next to a strippers’ boarding house. Salma, Lolyta, and Memey are strippers living in the boarding house. Memey is at an early stage of pregnancy, out of wedlock, so Salma and Lolyta intend to trap a man for her. They then find Asep. and accuses him of impregnating Memey. Meanwhile, Lolyta becomes closer to Didi and Hilman becomes closer with Salma.
Director and actor Ray O'Neill presents the movie Greater Threat in the year (2008). the movieis an action-crime film starring Ray Goodwin as Ray Kieffer, Ray O'Neill as Mike Johnson, Tamas Menyhart as Nicolai, Leeann Johnson as Carol Green, Chuck French as Steve Mancini, Caitlin Noah as Marie Kieffer, Jason McAleer as Sachon, Cheryl Goodlin as Eileen Conway, Ray Dippolito as Judge Overton, David Schramm as Ivan, Mikel Mahoney as Santos DeJesus.
In this soulful surf documentary, filmmaker Cyrus Sutton shadows five different surfers, capturing the ups and downs of their daily routines -- much like the ebb and flow of the waves they ride with such passion.
Determined to understand the repeating patterns he was finding in nature, French mathematician Benoit Mandelbrot used an early form of computer imagery to produce his own versions, coining the recurring shapes fractals.
Daniel is a scientist who just got married to April, an attractive, immature and extroverted youth who reveals a side of herself which he has not yet seen, unleashing conflicts with the inhabitants of her hometown.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
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