This exciting performance was shot at The Grove in Anaheim, CA on May 3, 2006 and includes three bonus tracks "The Wind Cries Mary" "Song For George" and "Song For Lynette" from a 2004 acoustic guitar and piano performance at the Galaxie Theater in Santa Ana, CA.
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.
Far into the future after the world has brought about the apocalypse what remains of humanity has split into two warring tribes - the Plaebian and the Huron.
A gonzo black comedy with six intertwining stories set in the streets of Tokyo about the ongoing battle between the Internet generation and the older generation.
Director and actor Ray O'Neill presents the movie Greater Threat in the year (2008). the movieis an action-crime film starring Ray Goodwin as Ray Kieffer, Ray O'Neill as Mike Johnson, Tamas Menyhart as Nicolai, Leeann Johnson as Carol Green, Chuck French as Steve Mancini, Caitlin Noah as Marie Kieffer, Jason McAleer as Sachon, Cheryl Goodlin as Eileen Conway, Ray Dippolito as Judge Overton, David Schramm as Ivan, Mikel Mahoney as Santos DeJesus.
In this soulful surf documentary, filmmaker Cyrus Sutton shadows five different surfers, capturing the ups and downs of their daily routines -- much like the ebb and flow of the waves they ride with such passion.
This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.