Former "Titanic" satire magazine editor Martin Sonneborn takes an undercover trip around Berlin and discovers the East-German mentality and what is left of the socialist German Democratic Republic.
The documentary tells the story of the Berlin luxury hotel, which was built by the director's great-grandfather and fell victim to a fire shortly after the end of the Second World War.
Berlin’s Museum Island, the cultural center of the German capital on the Spree river, houses a large number of art pieces from all over the globe, from the Stone Age to the present day.
The original Tresor was in many ways the quintessential Berlin club: located in an unrenovated vault beneath a bombed out department store, it opened its doors amidst the general confusion and ecstasy that swept across the city when the wall fell.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time.
Can three comedians from Bosnia overcome the bitterness of the past to reunite and reconcile? Often compared to Monty Python's Flying Circus the comedy team from Sarajevo known as Top Lista Nadrealista or The Surrealist Hit Parade rose to prominence on the eve of the breakup of Yugoslavia.
KÖY (Turkish for village) is about the longing for home, for belonging and the freedom of the self. Three women from three generations are united by their Kurdish roots.
Alternative movies trailers for Heimatkunde
More movie trailers, teasers, and clips from Heimatkunde:
Heimatkunde (2008) TRAILER deutsch
Heimatkunde (2008) Deutschland | Dokumentation Regie: Andreas Coerper / Susanne Müller mit: Martin Sonneborn mehr Info: ...
Heimatkunde Trailer
Trailer zum Kinofilm "Heimatkunde" mit Martin Sonneborn.
Heimatkunde Abschluss 05.05.2012 Teil 1
Heimatkunde full hd movie trailer.
Heimatkunde - Ausstellung im Jüdischen Museum Berlin
Film zur Ausstellung.
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Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.