INTERVAL II explores our transient relationship with the built environment through the juxtaposition of two contrasting types of architecture: a cast-iron pier in Northwest England and a rammed-earth roundhouse in Southwest China. Chan uses time-lapse to accentuate the transitory movement of light over the structures, highlighting their physical form within the altered landscape.
Shifting from micro to macro, she investigates traces of human presence within the buildings, as well as the social and cultural shifts within the respective societies. The atmospheric soundtrack combines ambient field recordings including conversations, songs, traffic and natural sounds with old recordings of her grandmother's Hakka songs.
A gonzo black comedy with six intertwining stories set in the streets of Tokyo about the ongoing battle between the Internet generation and the older generation.
A documentary on Paul Watson, who takes the law into his own hands on the open seas, confronting, by any nonviolent means necessary, the hunters who indiscriminately slaughter whales, seals and sharks, along with complicit governments and environmental organizations.
A human story unfolds when detectives aggravated by a major bust gone wrong are forced to deal with a tormented man thrown into the cage after urinating on the Mayor's limo.
Daniel is a scientist who just got married to April, an attractive, immature and extroverted youth who reveals a side of herself which he has not yet seen, unleashing conflicts with the inhabitants of her hometown.
Chris Jackson is a taxi driver with a childhood trauma. The trauma has made him a portal for obsessions to pass from the mind to the physical world and hence disrupt the world's multiple planes of reality.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.
