Beautifully captured in High-Definition and mixed in 5.1 Surround Sound, these two captivating concerts from the historic Rialto Square Theatre (Joliet, IL) and the Meyerson Symphony Center (Dallas, TX) comprise this essential live performance collection from Jewel.
A beautiful grad student named Tara Simmons is abducted by aliens in a flying saucer. Four days later she finds herself back on earth at the top secret government facility Areola 51, which documents sexual encounters with aliens.
A woman takes a man she just met at a nightclub to a hotel, so they can have a one-night stand, but things start to get complicated when he asks her to spend the night with him so they can have a chance to know about each other between the sheets.
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.
Determined to understand the repeating patterns he was finding in nature, French mathematician Benoit Mandelbrot used an early form of computer imagery to produce his own versions, coining the recurring shapes fractals.
Chosen by prophecy but doubted by all, Po is an unlikely choice for the mystical title of the Dragon Warrior—a clumsy panda thrust into the world of kung fu as a deadly enemy threatens the Valley of Peace.
A Maid slaves in a Swedish family high-etc kitchen in the year of 2008, serving some twin brats, a hungry Nosferatu-teenager and a father "dying" in a cold.
A documentary on Paul Watson, who takes the law into his own hands on the open seas, confronting, by any nonviolent means necessary, the hunters who indiscriminately slaughter whales, seals and sharks, along with complicit governments and environmental organizations.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
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