Learning sight words has never been this easy! Many words don't follow basic decoding rules and are taught in pre-k and kindergarten classrooms as "sight words", "instant words", "high frequency words" or "star words." A new reader finds sight words very frustrating until they are memorized. A good reader will be able to instantly recognize sight words without having to figure them out. Preschool Prep Company makes learning sight words fun and easy by implementing the technique used in their other award winning DVDs. Now children can master sight words with the same rapid speed that they learned letters, numbers, shapes and colors!
This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper.
A beautiful grad student named Tara Simmons is abducted by aliens in a flying saucer. Four days later she finds herself back on earth at the top secret government facility Areola 51, which documents sexual encounters with aliens.
Daniel is a scientist who just got married to April, an attractive, immature and extroverted youth who reveals a side of herself which he has not yet seen, unleashing conflicts with the inhabitants of her hometown.
Determined to understand the repeating patterns he was finding in nature, French mathematician Benoit Mandelbrot used an early form of computer imagery to produce his own versions, coining the recurring shapes fractals.
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
