After a lengthy deployment abroad in Afghanistan, young soldier David Kleinschmidt returns to his home village in the southern Black Forest ahead of schedule. He is warmly welcomed by his girlfriend Kirsten and his mother Inge. His eight-year-old half-brother Benni is full of admiration for him. But David has changed. He is withdrawn and no longer the person he was before his deployment.
The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse.
Like some other kids, 12-year-old Trevor McKinney believed in the goodness of human nature. Like many other kids, he was determined to change the world for the better.
The lives of several individuals intertwine as they go about their lives in their own unique ways, engaging in acts which society as a whole might find disturbing in a desperate search for human connection.
Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.
Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part.
Alternative movies trailers for Nacht vor Augen
More movie trailers, teasers, and clips from Nacht vor Augen:
Nacht vor Augen aka A Hero's Welcome
Der 25jährige Bundeswehrsoldat David kehrt nach dem Auslandseinsatz in Afghanistan zurück in sein Heimatdorf im Schwarzwald.
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Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
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