Фильм снят по повести Сергея Говорухина "Никто, кроме нас". Эта картина не столько о самой войне, сколько о взаимоотношениях кинооператора Евгения Левашова и Наташи - женщины, которую он искал всю жизнь, и нашел за несколько недель до своей очередной командировки на войну. И хотя он может отказаться от этой поездки, он этого не делает - потому что любовь и нравственный выбор неразрывно связаны между собой…
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.
Chris Jackson is a taxi driver with a childhood trauma. The trauma has made him a portal for obsessions to pass from the mind to the physical world and hence disrupt the world's multiple planes of reality.
Don Muthu Swami is one of Bombay's most fearsome gangsters. On his deathbed, his father forces him to make a promise: that from now on he will lead a decent life.
Chosen by prophecy but doubted by all, Po is an unlikely choice for the mystical title of the Dragon Warrior—a clumsy panda thrust into the world of kung fu as a deadly enemy threatens the Valley of Peace.
Director and actor Ray O'Neill presents the movie Greater Threat in the year (2008). the movieis an action-crime film starring Ray Goodwin as Ray Kieffer, Ray O'Neill as Mike Johnson, Tamas Menyhart as Nicolai, Leeann Johnson as Carol Green, Chuck French as Steve Mancini, Caitlin Noah as Marie Kieffer, Jason McAleer as Sachon, Cheryl Goodlin as Eileen Conway, Ray Dippolito as Judge Overton, David Schramm as Ivan, Mikel Mahoney as Santos DeJesus.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
