Stephanie Barber 2008 | 00:13:21 | United States | English | Color | Stereo | 4:3 "how looking at what has become the skeletons of photographs is a visual lecture on aesthetic pleasure or emotion. and how being, almost entirely denied of this pleasure, or having the pleasure merely suggested induces a viewer to ruminate on the act of viewing and that of wanting to view. and maybe it is evolution which causes this anxiety and art form." A series of collages recreating the photographs of well known artists (Uta Barth, Kohei Yoshiyuki, Candida Hofer, Deborah Willis) and a very slight suggestion of the actual photographs. The soundtrack is composed of approximately 25 statements on photography. -- Stephanie Barber
Daniel is a scientist who just got married to April, an attractive, immature and extroverted youth who reveals a side of herself which he has not yet seen, unleashing conflicts with the inhabitants of her hometown.
A gonzo black comedy with six intertwining stories set in the streets of Tokyo about the ongoing battle between the Internet generation and the older generation.
With Australia at war in Vietnam in 1967, suddenly Prime Minister Harold Holt disappeared without a trace—an event unparalleled in the history of western democracy.
After hundreds of years doing what he was built for, WALL•E— a robot designed to clean up the earth—discovers a new purpose in life when he meets a sleek search robot named EVE.
A Maid slaves in a Swedish family high-etc kitchen in the year of 2008, serving some twin brats, a hungry Nosferatu-teenager and a father "dying" in a cold.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
