Karø Goldt’s video tulipa, like the previous films in her abstract plant-film series, concentrates on the formal interplay of color and sound. For this, Goldt once again uses a digital flower picture as the starting point for her cinematic conversation. The picture is disaggregated into its color components and then transferred to an abstract stripe pattern. Thus, in tulipa, too, not much remains of the romantic genre of the flower picture other than the title and the electronically scanned color values of the original picture. Instead, the color dynamics of the picture are released from the flower motif and gain powerful intrinsic value through the consistent process of abstraction. The dynamic interplay of the color values and the spatial potential of the colors are thus revealed increasingly over the course of the color changes in the film.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
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Comments
Have you watched Tulipa yet? What did you think about it?