A film about director Andja Arnebäck's family: “When I was pregnant with my first child and doing ultrasound, I thought about the coincidence that my child and I both exist. My Mom has told me that they wanted to forcibly sterilize my grandmother. Through archives and in meetings with my grandmother's two brothers, Axel and Knut, I investigate what really happened when they grew up in Gothenburg. ”
Far into the future after the world has brought about the apocalypse what remains of humanity has split into two warring tribes - the Plaebian and the Huron.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper.
A documentary on Paul Watson, who takes the law into his own hands on the open seas, confronting, by any nonviolent means necessary, the hunters who indiscriminately slaughter whales, seals and sharks, along with complicit governments and environmental organizations.
