“An experimental film structured as a kind of specialized playground in which highly representational images are freed from their duties to refer to things outside of themselves. The images run free in their new lightness making unforeseeable, promiscuous connections with each other and developing an inexplicable, non-parsable plot line that runs along with all the urgency of any good thriller. When worlds collude, something outside of description is always just about to happen.” (FW)
Director and actor Ray O'Neill presents the movie Greater Threat in the year (2008). the movieis an action-crime film starring Ray Goodwin as Ray Kieffer, Ray O'Neill as Mike Johnson, Tamas Menyhart as Nicolai, Leeann Johnson as Carol Green, Chuck French as Steve Mancini, Caitlin Noah as Marie Kieffer, Jason McAleer as Sachon, Cheryl Goodlin as Eileen Conway, Ray Dippolito as Judge Overton, David Schramm as Ivan, Mikel Mahoney as Santos DeJesus.
A documentary on Paul Watson, who takes the law into his own hands on the open seas, confronting, by any nonviolent means necessary, the hunters who indiscriminately slaughter whales, seals and sharks, along with complicit governments and environmental organizations.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.
Far into the future after the world has brought about the apocalypse what remains of humanity has split into two warring tribes - the Plaebian and the Huron.
John Legend: Live from Philadelphia actually constitutes a two-disc set, with an album and a disc of concert footage culled from r&b and neo-soul demigod Legend's Philadelphia engagements on his "Show Me" tour.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
