Ten years have passed since the First Congo War, six since the beginning of the UN mission there. Rape is still being employed as a weapon. In White Substance everyone involved is given an opportunity to speak: the victims and the perpetrators, and also the individuals in-between.
The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.
Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.
A prospective wish is announced at the very beginning: "Imagine a land without ownership". Ownership? Since when? How? Where? With which implications? This is what Marwa Arsanios endeavours to discover in the fourth part of her meticulous ongoing project whose generic title is Who Is Afraid of Ideology? After documenting feminist experiments of community autonomy in Lebanon, Kurdistan and Syria (Who Is Afraid of Ideology? I&II, FID 2019), Marwa Arsanios ventures a hypothesis in the form of speculative fiction, from a remote piece of land in Lebanon, a cut in a stone quarry.
The modern criminal justice system is hindered by the fact that countless rape kits remain untested in police evidence storage facilities across the United States.
Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8, answering machine messages, video diaries, early short films, and more -- culled from 19 years of his life.
It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.
Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles.
Determined to understand the repeating patterns he was finding in nature, French mathematician Benoit Mandelbrot used an early form of computer imagery to produce his own versions, coining the recurring shapes fractals.
In this soulful surf documentary, filmmaker Cyrus Sutton shadows five different surfers, capturing the ups and downs of their daily routines -- much like the ebb and flow of the waves they ride with such passion.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire.
After hundreds of years doing what he was built for, WALL•E— a robot designed to clean up the earth—discovers a new purpose in life when he meets a sleek search robot named EVE.
Kadhalil Vizhunthen is a movie starring Nakul and Sunaina. The movie's music was composed by Vijay Antony, cinematography by S D Vijay Milton and editing by V.
A gonzo black comedy with six intertwining stories set in the streets of Tokyo about the ongoing battle between the Internet generation and the older generation.