Filmmaker Daniel Vernon follows the veteran escapologist Ron Cunningham(The Great Omani) for more than five years and the result is this poignant documentary about the great entertainer. In the final years of his life, Cunningham was a shadow of his former self, being career by his limelight hating son who got roped into helping his father with stunts over the many decades. Ron is battling cancer and is also partly wheelchair-bound by a series of strokes. However, this remarkable man continued to perform with specially choreographed routines which saw him set himself alight and shower himself in glass. Two years before his death, he was still as fired up as ever and preparing himself for one final ‘farewell’ stunt.
Three small films for as many reflections on the senses and human knowledge. In the first episode, Emmer reviews with anthological and didactic intent the precepts of ancient philosophy, from Greek to Roman civilization; in the second, working as he did at the beginning of his career on a vast repertoire of pictorial and non-pictorial images, he analyzes the “history of the gaze” in the visual arts, from prehistoric graffiti to medieval altarpieces, from Impressionist and Cubist paintings to modern-day advertising posters; finally, in the third, recounting with irony and lightness a day of solitude in his mountain home, he reflects on the intellectual thinking of writers and great thinkers, relating to his own individual experience as much the words of oral tradition and popular culture as the writings of geniuses such as Shakespeare, Spinoza or Gogol.
Batman raises the stakes in his war on crime. With the help of Lt. Jim Gordon and District Attorney Harvey Dent, Batman sets out to dismantle the remaining criminal organizations that plague the streets.
This making-of features additional background on the original ideas for the film. Shyamalan discusses his initial inspiration to make the ultimate B-movie, but one that morphed into something deeper.
