In part 3, Fowler furthers his on-going dialogue with the sound artist Toshiya Tsunoda (Yokohama, Japan). Toshiya Tsunoda develops an on-going philosophical line of enquiry regarding the art of field recording, as a conceptual act, and that of the relationship between the “field”, the recordist and the audience. During these investigations, he came to think about the meaning of choosing an object to focus on; drawing the conclusion that “perhaps it is similar to a hunter who becomes more interested in shooting the bow than the prey itself”.
10,000 B.C. was a time of cataclysmic change on Earth. Extreme climactic fluctuations hurled the planet into a minor ice age; megafauna like the saber-toothed tiger and woolly mammoth were suddenly becoming extinct; and early humans began to inhabit North America.
An eleven-year-old girl, living in Edinburgh, Scotland, hates her Christian name, Kylie. She prefers to be called "Morticia" And she wants a real Dad she can identify with.
Nikki Blue is a dancer at a strip club hidden along a back road in rural New England. Further down the road, Alice, a burnt-out, neurotic college grad with no particular ambitions, spends her days working at a roadside fossil and rock shop.
Andrés Rabadán was headline news after killing his father with a crossbow. But beyond the chatter of the media, what is the true story of the young man who became known as the “maniac with the crossbow”?
A documentary following the exploits of a group of filmmakers as they take their independent feature, Ten 'til Noon, along the film festival circuit, and the politics, pitfalls, triumphs and comic tragedies they encounter along the way.
In 1898, a Minnesota farmer clearing trees from his field uprooted a large stone covered with mysterious runes that tell a story of land acquisition and murder.
Comments
Have you watched A Grammar for Listening (Part 3) yet? What did you think about it?