An idiosyncratic personal reflection on a mythical image of masculinity in cinema and the clash between cinematic representation and real life. Endlessly repeated shots of aeroplanes and paratroopers taken from Alexander Dovzhenko’s film Aerograd (1935) and an absurd anthem to mythical masculine powers are confronted by home video footage with a much less heroic intonation.
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.
Nikki Blue is a dancer at a strip club hidden along a back road in rural New England. Further down the road, Alice, a burnt-out, neurotic college grad with no particular ambitions, spends her days working at a roadside fossil and rock shop.
Guntur (Rangga Raditya) is an ordinary kid from village in Banyuwangi who lives an ordinary life. Well, not quite ordinary, since he is the “victim” of his father and friend obsession.
