In 1827, Berlioz saw Harriet Smithson for the first time, playing Ophelia in a production of Hamlet. Hopelessly smitten, he turned his entire life upside down to meet her. Frantic months turned into years when he suddenly heard rumors about Harriet and another man. Believing himself cured, he wrote a ‘fantastic’ symphony complete with a special theme, the idée fixe, to represent his former obsession.
Forty Boys and a Song is a 1941 short documentary film directed by Irving Allen. The film is about the Robert Mitchell Boy Choir, consisting entirely of boys aged 8 to 14.
Rush Clockwork Angels Tour captures the Rock & Roll Hall of Famers' 2012-2013 sold-out tour from a unique point-of-view approach to film-making utilizing distinct composition and a voyeuristic style that at varying moments puts the viewer on the stage, at the side of the stage, and throughout the arena.
The people of Britain resist the German air force and navy with help from North America. Preserved by the Academy Film Archive in partnership with Library and Archives Canada in 2005.
A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they're also trying desperately to escape people who have made them their targets.
Chelios faces a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working.
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Have you watched Keeping Score - Hector Berlioz Symphonie fantastique yet? What did you think about it?