I was working there as an assistant and had to digitize the students' videos, and I was intrigued by a sequence of rushes filmed in some architect's chalet lost in the woods and only accessible by helicopter. I filmed the pictures on the screen while they were digitizing, and made my own editing with some kind of mystical connotation. I intensified the strangeness of this place by working on the sound (radio interference) adding some furtive and quite ghostly apparitions of myself. When I watch this film now, I can think it has a lot to do with the horror movies which were my delight as a teenager. But it's more of a joke about this omnipotence artists are credited with by society — this idea of artists being able to venture on psychic territories that no one else can reach.
Guntur (Rangga Raditya) is an ordinary kid from village in Banyuwangi who lives an ordinary life. Well, not quite ordinary, since he is the “victim” of his father and friend obsession.
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis.
Two lives collide and then change forever when a suicidal psychiatrist is interrupted mid-attempt by the ambitious son of his wealthiest patient- a young man who claims to desperately need help and won't take no for an answer.
Andrés Rabadán was headline news after killing his father with a crossbow. But beyond the chatter of the media, what is the true story of the young man who became known as the “maniac with the crossbow”?