“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part dialogue in which Gidal’s translations of Brecht are spoken, Gidal stages an interrogation of his own practice as an experimental filmmaker and theorist via Brecht’s theatre theory. Without rehearsal (but with practice), Gidal “replied” and counter-interrogated on the night. Performance of Sorts with Brecht, Peter Gidal with Karen Mirza was presented by no.w.here as part of the series Reverberations in collaboration with Chisenhale Gallery on 8th June 2009.
A tiny catalyst and zest can change a colorless day-to-day life into a rose garden. Takarazuka can be an EXCITER that generates stimuli, enthusiasm and excitement among all as it continuously provides today's society with love and dreams.
An eleven-year-old girl, living in Edinburgh, Scotland, hates her Christian name, Kylie. She prefers to be called "Morticia" And she wants a real Dad she can identify with.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
Andrés Rabadán was headline news after killing his father with a crossbow. But beyond the chatter of the media, what is the true story of the young man who became known as the “maniac with the crossbow”?
