“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part dialogue in which Gidal’s translations of Brecht are spoken, Gidal stages an interrogation of his own practice as an experimental filmmaker and theorist via Brecht’s theatre theory. Without rehearsal (but with practice), Gidal “replied” and counter-interrogated on the night. Performance of Sorts with Brecht, Peter Gidal with Karen Mirza was presented by no.w.here as part of the series Reverberations in collaboration with Chisenhale Gallery on 8th June 2009.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
A taxi driver gets more than he bargained for when he picks up two teen runaways. Not only does the pair possess supernatural powers, but they're also trying desperately to escape people who have made them their targets.
Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man.
Chelios faces a Chinese mobster who has stolen his nearly indestructible heart and replaced it with a battery-powered ticker that requires regular jolts of electricity to keep working.
Nikki Blue is a dancer at a strip club hidden along a back road in rural New England. Further down the road, Alice, a burnt-out, neurotic college grad with no particular ambitions, spends her days working at a roadside fossil and rock shop.
