“Theatre theory for film, or not: Brecht (an interrogation/performance: a ghost trio for two).” (Gidal). Taking the form of a multi-part dialogue in which Gidal’s translations of Brecht are spoken, Gidal stages an interrogation of his own practice as an experimental filmmaker and theorist via Brecht’s theatre theory. Without rehearsal (but with practice), Gidal “replied” and counter-interrogated on the night. Performance of Sorts with Brecht, Peter Gidal with Karen Mirza was presented by no.w.here as part of the series Reverberations in collaboration with Chisenhale Gallery on 8th June 2009.
When she learns she's in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.
A documentary following the exploits of a group of filmmakers as they take their independent feature, Ten 'til Noon, along the film festival circuit, and the politics, pitfalls, triumphs and comic tragedies they encounter along the way.
Set in and around the male and female toilets of a Dublin jazz bar. A drama concerning the trials and tribulations of two lowly paid toilet attendants and the people they serve.
It's Boxing Day and already Karen is making New Year resolutions - chiefly for others - and the family have been burgled,though selectively,causing Sue to cheat on the insurance claim.
